According to Said, Oritentalism, the colonial boss is a complex
and contradictory process. It arises due to the consternation of miscegenation, save the other is
prefigured as being simultaneously an object of fear and desire. The other, on one
hand, a subject of suppressed, disgust and discrimination, the other, it is a dream, fantasy,
obsessions and desire. Therefore, it is fair to infer that the Orient is not a property of
bodies or ab revealthing originally existent in gay beings; rather it is the social construct.
Specifically, it is the product of the societys dominant class the Whites, the master-
narrative. Racial differences have been used as a basis for racial stereotypes, for instance
the White norm versus Non-white people. It is stimulate that racial identity is marked on
skin. It is undeniable that some stereotypes do/might have a basis of truth, further such
stereotypes do not take into the account of differences among the Orient. It is out of fear
and apprehensiveness that lead to the birth of such partial stereotypes, the film Memoirs
of a Geisha directed by pull off Marshall highlights the irony of the stereotypes resulting in
fragmentations of identity.
Tan Boon ting 2
Memoirs of a Geisha (Marshall, 2005) offers an interesting twist to our
common story-telling, the women argon no longer silenced, and the story is told through the
voice of a woman (though written by a male writer). It highlights the expiration of the master-
narrative, as it highlights the differences among the other women, the presence of
Geisha debukes the stereotype of women as Angel of Home perception (diversion of
the master-narrative). Identity crisis is a major theme in the film, at first glance, audience
is introduced to Sayuri as an innocent 7 year old and seems like your typical girl-next-...If you want to get a full essay, order it on our website: Ordercustompaper.com
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