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Monday, March 18, 2013

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Story: The Bread of Salt
Author: NVM Gonzalez
Approach: Intertextual and Historical
Analysis: discipline approximately of NVM Gonzalezs short stories seems to be an advantage. I read
approximately of his works apart from this way back high indoctrinate for our English Elective
class, Philippine Literatures. I wasnt surprised at all if there were a lot of similarities
between protagonists from bingle report to another. The heroes of Gonzalezs stories
are often young masses on the cusp, on the brink of change.
One could see that his characters were struggling, yet are caught in sociopolitical
undercurrents, jetsam in a postcolonial ocean. thither was always the presence of
idyllic memories bind to be an offspring from poverty and oppression. He was, indeed,
a nationalist writer as he depicts in his characters a spirit of patriotism. In some of
his writings, he asserts, In the Philippines, colonization made us into a truly
submerged people. Thus, his subject is constantly Filipino; he is to dig up what is essential and native from underneath the American and Spanish overlays of influence. Moreover, he wrote that even an alien language does not fail if it is sedulous in h matchlessst service to the scene, in evocation of the decorate and in celebration of the people one has known from birth.

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This is one of the myriad reasons why most of his works were written in the English language. His style in writing a prose and story poetry proceeds from modernist British and American writers Joyce James (whoseAraby is truly identical with Bread of Salt) and Henry James. The Bread of Salt revolves somewhat a young man, a violinist; enamored of a mestiza beauty Aida gets a chance to impress her by vie at a party at her house. He was embarrassed, however, at the buffet table. The most Filipino element in the story was the pan de sal, which was referred to as
the bread of salt. This is an allusion that portrays the violinist doing an errand a
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