History of Exp. Film
In the last essay I played out my magazine marking the differences between experimental film and characterisation art. I used those differences to build some sort of transmission line to why I think I like photograph art better then experimental film. Since that essay I have tried to not judge the films based on my affinity to scene. Since the last essay I have set up more things to enjoy about the films that are beneficial to my video practice.
I found the Experimental Feature day specially exciting. I have always been a Kenneth Anger strike out so that may have woken me up a lowly bit. I have seen Cocteaus Blood of a Poet in a few different contexts now and for some reason, this judgment of conviction around, I was specially struck by the film. Every time I have seen this movie I have considered it to be cheesy. It was still cheesy this time but I enjoyed the graven aspects of the movie. A lot of the time the frame was filled with sculpted elements that make up a single image. I was particularly drawn to the image of the man lying on the word with a reel thing above him.
domain irradiate is one of my favorite filmmakers from the surrealist era.
Usually Im attracted to the implied wildness of his work. This movie however did not seem to allude to military unit like his other films do. This film was seductive in a more sedative way. A lot of the film was walkover in a dreamy way almost as if the viewer was flavor through water. It had the same mechanical looking imagery that Im always attracted to in Man Rays work. I remember there universe one segment that was collaged of a few different films. peerless of the images I remember specifically was a starfish spinning in its cage. I always enjoy watching objects apparent motion and perform with one another and Man Ray had a remarkable way of doing this.If you want to get a across-the-board essay, order it on our website: Ordercustompaper.com
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